Emma Eidevik

Press

One line

Emma Eidevik doesn't write the words she sings. She sings what other people wrote.

Short

Emma Eidevik is twenty-seven, Swedish, and doesn't write. She sings what other people wrote, which is why her voice sounds older than she is. Nothing is corrected: the voice cracks on the high notes, the breath stays in, one instrument carries the song. She is a fictional singer; the recordings are made with AI. Every album is one story. The first comes from notebooks found in apartments in Sweden, cleared out after someone died with nobody to claim them. The next will be a different story.

Long

Emma Eidevik is twenty-seven and Swedish. She doesn't write. She sings what other people wrote, which is why her voice sounds older than she is: the words aren't hers. There is no discovery story, no stage, no crowd. She is a fictional singer, and the recordings are made with AI. They are deliberately unpolished: the voice cracks on the high notes, the breath is audible, nothing is corrected. One instrument, a bowed lyre, carries every song.

Every album is one story. The first comes from notebooks found in apartments in Sweden, cleared out after someone died with nobody to claim them. The furniture went to charity, the rest went to a skip. The notebooks would have gone with it. The first belonged to a man who came from Turkey in 1971 to work, stayed fifty years, and never went back. He wrote about Mount Qaf, the mountain from the old stories that nobody reaches. He wrote that the fruit stayed on the branch and he never got to pick it. "Mount Qaf" is the first single.

The next album will be a different story. Emma stays; the rooms change.

She sings things that were written because nobody was listening.

Facts

Photographs

Free to use with the credit "Emma Eidevik (AI-generated)".

Emma Eidevik portrait Emma at a window, from behind A desk by a window A hand and a grey eraser

Contact

contact@emmaeidevik.com